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? Free PDF Spider Woman's Daughter: A Leaphorn & Chee Novel (Navajo Mysteries Book 19), by Anne Hillerman

Free PDF Spider Woman's Daughter: A Leaphorn & Chee Novel (Navajo Mysteries Book 19), by Anne Hillerman

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Spider Woman's Daughter: A Leaphorn & Chee Novel (Navajo Mysteries Book 19), by Anne Hillerman

Spider Woman's Daughter: A Leaphorn & Chee Novel (Navajo Mysteries Book 19), by Anne Hillerman



Spider Woman's Daughter: A Leaphorn & Chee Novel (Navajo Mysteries Book 19), by Anne Hillerman

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Spider Woman's Daughter: A Leaphorn & Chee Novel (Navajo Mysteries Book 19), by Anne Hillerman

Anne Hillerman, the talented daughter of bestselling author Tony Hillerman, continues his popular Leaphorn and Chee series with Spider Woman’s Daughter, a Navajo Country mystery, filled with captivating lore, startling suspense, bold new characters, vivid color, and rich Southwestern atmosphere.

Navajo Nation Police Officer Bernadette Manualito witnesses the cold-blooded shooting of someone very close to her. With the victim fighting for his life, the entire squad and the local FBI office are hell-bent on catching the gunman. Bernie, too, wants in on the investigation, despite regulations forbidding eyewitness involvement. But that doesn't mean she's going to sit idly by, especially when her husband, Sergeant Jim Chee, is in charge of finding the shooter.

Bernie and Chee discover that a cold case involving his former boss and partner, retired Inspector Joe Leaphorn, may hold the key. Digging into the old investigation, husband and wife find themselves inching closer to the truth...and closer to a killer determined to prevent justice from taking its course.

  • Sales Rank: #5297 in eBooks
  • Published on: 2013-10-01
  • Released on: 2013-10-01
  • Format: Kindle eBook

Amazon.com Review
Anne Hillerman: Why I Decided to Continue Tony Hillerman's Chee/Leaphorn Series

When Dad died in 2008, he left big shoes to fill. I loved to sit in his home office, surrounded by the books and maps he used as part of his research, and listen as he read just-finished passages he was especially proud of. (Despite living in New Mexico for more than fifty years, Dad never lost his Oklahoma twang.) Jim Chee and Joe Leaphorn seemed like my uncles, part of our family. With millions of others of Dad’s fans, I would wait restlessly for the latest installment of their adventures. When Dad received a box of first editions of the newest book from HarperCollins, he never forgot to autograph one for me. I have these in my living room, my most treasured possessions.

Dad and I and my husband Don Strel worked together for several years on a non-fiction book, Tony Hillerman’s Landscape: On the Road with Chee and Leaphorn. As part of my research, I had the pleasure of re-reading each Leaphorn Chee book and of talking to Dad about how he developed the plot, themes and settings. The research gave me precious insights into my dad as an author and admirer of the Navajo people and their sacred landscape.

As part of our conversations, Dad and I discusssed Bernadette Manuelito, the Navajo police officer whom he used in several books. In his final novel, The Shape Shifter, she has progressed from Chee’s girlfriend to his wife and is doing research for Leaphorn. I suggested that Dad might have fun creating a story in which Bernie actually got to solve the crime instead of working as sidekick. “That’s an interesting idea,” I remember him saying.”If I were energetic enough to write a few more of these, I might do it.”

Dad died in October 27, 2008. The book we worked on together came out the following year. As Don and I toured the country talking about Tony Hillerman’s Landscape, the question people asked me most often was “Did Tony have another novel to continue the series?” The answer was “no.” Nothing squirreled away in a file cabinet or saved on his computer. His fans didn’t like that response. Neither did I, but it was the undeniable truth.

When I emerged from the worst of my grief after Dad’s death, I realized that I was also mourning the end of his mystery series. I missed those detectives, and I especially regretted that Bernadette Manuelito would never get a book that put her in the spotlight. And then I thought: I could try writing Bernie’s book myself. If I didn’t like it, I could hit the delete key. In addition to Hillerman’s Landscape, I had written several other books, so I knew part of the challenge that faced me. I jotted down some ideas as a rough outline and got to work.

Because Dad’s books were fresh in my mind, I decided to use some of his favorite settings for what became Spider Woman’s Daughter. These included Gallup, N.M., Window Rock, Az., the imaginary Navajo Inn, and the very real and mysterious Chaco Canyon. Because I live in Santa Fe, I thought it would be fun to devise a reason to bring Dad’s famous detectives to my home town. I developed the plot by trial and error, frequently asking myself how Dad would handle things. I missed him fiercely as I wrote but sometimes felt as if he was looking over my shoulder.

After I’d written enough to hope that my ideas might be of interest to someone other than me, I spoke to my mother, my father’s first and best editor for every book he wrote. She brainstormed with me, sharing her vast knowledge of Dad’s work and her sterling memory of characters and settings. With her blessing, I contacted Dad’s editor, Carolyn Marino at HarperCollins, to make sure there weren’t any copyright issues or other hurdles. Marino not only reassured me, she offered to take a look at whatever I came up with when I felt ready.

I worked on Spider Woman’s Daughter for three years with encouragement from my writer friends and help from law enforcement experts, Navajos, archaeologists and more. I think my Dad, who firmly believed in Heaven, sent along some inspiration.

One of Dad’s skills was the ability to start his books with a scene that whetted the reader’s appetite for more. I knew that getting off on the right foot would be crucial for my book. Here’s a brief excerpt from my opening scene. Bernadette Manuelito has just left a meeting at the Navajo Inn to take a phone call from her husband, fellow officer Jim Chee. Joe Leaphorn heads out too, planning to drive home.

Through the lobby window, Bernie saw someone climb out of the blue sedan backed in next to Leaphorn’s white truck. She watched Leaphorn walk toward the truck, extract the keys from his pants pocket.

“You still grumpy?” Chee asked. “I got off to a bad start this morning.”

The person extended an arm toward the lieutenant. Bernie saw a gun. Heard the unmistakable crack of the shot. Saw Leaphorn stagger back, falling against his picku0. Crumple to the asphalt.

She dropped her phone as if it were on fire, Chee still talking, and ran. Pushing the restaurant’s heavy glass doors open, she raced toward Leaphorn, reaching for her gun. She watched the shooter scramble into the car and heard the sedan’s tires on the asphalt as it sped away, keeping the car in her peripheral vision as she reached the lieutenant. Squatting down, Bernie pressed her fingers beneath his jaw, feeling for the thread of a pulse against her fingertips.

I think Dad would have liked Spider Woman’s Daughter. I’m pleased with it and I hope that his readers will be too.

From Booklist
Hillerman, who has written some nonfiction, now tries her hand at fiction, incorporating some of her late father Tony’s characters into the story. Although billed as a “Leaphorn & Chee Novel,” neither character is really in the spotlight here. That position is reserved for Navajo Tribal Police Officer Bernadette “Bernie” Manualito, Chee’s wife. When the retired Leaphorn is shot right in front of Bernie, and the assailant escapes, Bernie swears she’ll find the person responsible. As a witness, however, Bernie is removed from the case and relegated to finding Leaphorn’s family. Jim Chee is put in charge, but he knows very well that stubborn, determined Bernie won’t stand down, especially when someone she considers an “uncle” is the victim. Hillerman builds upon characters and themes from her father’s Thief of Time (1988), applying her own knowledge of contemporary Navajo culture. The spiritual elements prominent in previous Leaphorn-Chee books are downplayed, and the measured plot (with perhaps too much attention to the desert landscape) has few surprises. What intrigues is Bernie herself, a devoted young Native American balancing her heritage and family obligations with the demands of a difficult job. --Stephanie Zvirin

Review
Spider Woman’s Daughter is an intricately plotted, suspenseful, colorful, and unforgettable journey. Readers will fall in love with Bernie Manuelito and look forward to Anne Hillerman’s next effort in what should be a long, enjoyable, successful series. Her depiction of the Navajo Nation is spot on. I loved this book. (Jo-Ann Mapson, author of award-winning Solomon's Oak and Finding Casey)

“Chip off the literary block—there are a lot of things Tony taught is daughter, Anne, and one of them was how to tell a good story. Spider Woman’s Daughter is a proud addition to the legacy, capturing the beauty and breath of the Southwest as only a Hillerman can.” (Craig Johnson, author of the Walt Longmire Mysteries, the basis for A&E's hit television series Longmire)

A daughter takes on her famous father’s legacy in resuming a series focused on Navajo culture…maintaining the integrity…throughout. (Kirkus Reviews)

“[H]eart-stopping, action-packed...VERDICT Fans of Southwestern mysteries will cheer this return of Leaphorn and Chee.” (Library Journal (starred review) on SPIDER WOMAN'S DAUGHTER)

“Difficult to put down...If you love mysteries, this book is for you.” (Examiner.com on SPIDER WOMAN'S DAUGHTER)

Most helpful customer reviews

213 of 219 people found the following review helpful.
Chee and Leaphorn are in excellent hands
By Kindle Customer
I'm always nervous when another author takes over writing a favorite series, especially one as long-running as Chee and Leaphorn. I had nothing to fear this time. Ms. Hillerman has done a masterful job of extending her father's series. Her writing is well-crafted, and her ear for the dialogue of our favorite characters is true. The plot's echoes of prior adventures has twists and turns that kept me reading straight through until the end without a break.

I especially enjoyed getting to know Bernie Manuelito as a true fully dimensional character in her own right, rather than a supporting character to Chee. The weaving of stories of the old ones into Bernie's everyday life as a modern Navajo woman adds texture and color in subtle but instructive ways. I'm looking forward to hearing more of her adventures.

Let me add that I'm not a professional reviewer. I'm just an avid mystery reader from Albuquerque who really enjoyed this book. I'm so happy the series is in such capable hands.

128 of 135 people found the following review helpful.
My heart leaps with joy to have this series returned to me!
By W. Mackela
I never imagined that I would see another book in the Leaphorn and Chee series. I was so excited when I saw that Tony Hillerman's daughter had decided to carry on the series that had been such a joy to read. This series always put me into a laid back, commune with mother earth, kind of feel. I would feel in a really good place while reading Mr. Hillerman's books. When Mr. Hillerman passed in 2008, I figured that the series died with him.

Anne Hillerman has done a great job continuing the series, while making it her own. She has allowed Jim Chee's wife, Bernadette, to tell the story. This gets the reader to accept the slight differences in writing style as a logical extension of the change in point of view. Everything feels so right and comfortable. My heart leaps with joy to have this series returned to me! I want to thanks Ms. Hillerman for bringing the Navajo Nation's finest back into my life.

I give this book 5 Stars out of 5 and Two Big Thumbs Up! Anyone who loved the Leaphorn and Chee series will love this fine addition.

If you have never read any books in this series, don't be afraid to jump right in with this one. You won't feel lost, not knowing the backstories, since this book doesn't rely on your knowing what went on before. You also will be able to go back and read the earlier books, since there really are no spoilers here.

I received this Digital Review Copy for free from edelweiss.com.

180 of 199 people found the following review helpful.
A Good Start
By Mick McAllister
This is a difficult book to review. On the one hand, it is the 19th entry in a popular series, so we come with pretty fixed preconceptions. On the other hand, it is a "first novel," so some of those preconceptions are not really germane. Add the complication that the quality of the Chee/Leaphorn books fell precipitately during the last years of Tony Hillerman's career, and you have yet another ambiguous gauge for this novel.

It's good enough that I'll be ready to buy another, if there is another. It's better than the last three novels, and about on par with The Wailing Wind. Anne Hillerman has a firm grasp of the unique setting, in the broadest sense, of the Chee/Leaphorn world. The book is fun because it does the "Navajo schtick" very well, balancing insider/outsider perspectives as delicately and respectfully as Tony did, and it provides understanding of the Navajo world tempered by the humility of a sympathetic white outsider. The book focuses on Bernie Manuelito, Jim Chee's love interest (now wife) and a solid competent cop in her own right. Looking at the world through Bernie's eyes is a nice tweak of the usual Hillerman territory, and elements of Bernie's personal story are promising for future development.

What's bad about it? Well most notably, Anne doesn't have a very good grasp of how to write a mystery. That was one of Tony's fortes, although in the books after The First Eagle he pretty much coasted for that element. Here, we figure out the killer's identity long before we are supposed to, and Jim Chee's inability to catch up with us is exasperating. Bernie lacks a good deal of information available to Chee (she has been ordered off the case), but it does seem that she is awfully slow to put two and two together. The last twenty pages -- the confrontation with the killer -- are an unconvincing series of comic-book jeopardies, irritating because we know perfectly well that some deus will turn up ex machina. Additionally, a major plot point (which I can't identify without spoilers) is resolved with little more than "because I said so."

I think this book started out as closure for Leaphorn/Chee fans, with a very brave intention. And then Anne Hillerman decided she was having fun. I spent most of the last half of the book thinking the series was being brought to an end. Then it became clear that there will be more books, if HarperCollins thinks they can milk that cash cow a little longer. (You will be happy to hear, if you are a regular reader, that HarperCollins decided launching a new author requires paying attention to copy-editing. There are none of the contemptuous splatters of editorial negligence that they left on Tony's last books, apparently confident that people would buy anything with his name on it.)

So yes, if you are a fan, buy it and read it, but make some allowances for a fledging author. Anne Hillerman has some new ideas for the series, and if she doesn't succumb to HarperCollins 'the minimum that sells' business plan, there may be some good books down the road.

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