Sabtu, 28 Juni 2014

# Free Ebook Deadly Recall, by Donnell Ann Bell

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Deadly Recall, by Donnell Ann Bell

A terrifying memory is locked deep inside her. A killer wants to keep it that way.

As a nine-year-old child, Eden Moran witnessed the murder of her beloved teacher, Sister Beatrice. Her mind blocked the horrifying memory, and now, seventeen years later, Eden still can't recall what she saw that fateful day at Albuquerque's St. Patrick's Church. The nun's remains have been unearthed at a local construction site, and Albuquerque police detective, Kevin Dancer, starts pressuring Eden to search the shadows of her terror for clues.

Eden insists she didn't see the killer that day. She can't even remember knowing Sister Beatrice. Regardless, Detective Dancer refuses to give up on her. He's not only hell-bent on solving the crime, he's falling in love with her. If her memories resurface, she'll be in danger, and he wants to protect her. The killer seems determined that she'll take the memory to an early grave.

Donnell Ann Bell is the recipient of numerous awards for her fiction writing and the co-owner of Crimescenewriters, a Yahoo group for mystery/suspense writers, which is 2,000 members strong. Donnell was raised in New Mexico's Land of Enchantment and today calls Colorado home.

www.donnellannbell.com

  • Sales Rank: #218896 in eBooks
  • Published on: 2013-01-25
  • Released on: 2013-01-25
  • Format: Kindle eBook

From the Inside Flap
"Emotional depth, romance and a mystery with twists and turns I never saw coming." Cindy Gerard ~ New York Times Best-seller "With DEADLY RECALL Donnell Ann Bell has created another page turner and cemented her status as a suspense author on the rise." --Lois Winston, author of the critically acclaimed Anastasia Pollack Crafting Mysteries

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23 of 23 people found the following review helpful.
Couldn't put it down!
By k.c. quinn
This is is compelling, well written, hard to put down mystery that features spine tingling suspense and a geat romance. At the heart is a decades old murder that the main female character witnessed when she was very young and blocked out for years. Unbeknownst to her, this murder has affected everything in her life up to and including her difficult relationship with her family. The main male character is a detective who is drawn to the heroine and knows she know more about this cold case than she's telling. The story is well written and fully fleshed with some great misdirection just to keep things interesting. The characters in this book are people that are likeable to the reader, and I absolutely rooted for them to succesfully solve the murder and live happily ever after. Thoroughly recommended novel, all will enjoy.

16 of 16 people found the following review helpful.
a twist with every turn of the page
By drakem
I couldn't wait for Ms. Bell's next book and this one was worth waiting for. Total suspense from the beginning to the end. A twist with every turn of the page. I couldn't put it down. Kudos to Donnell Ann Bell on Deadly Recall.

6 of 6 people found the following review helpful.
Fast paced thriller with an emotionally-charged love story
By Chanticleer Book Reviews
Donnell Ann Bell deftly intertwines a fast-paced thriller with an emotionally-charged love story. "Deadly Recall" will entice devotees of both genres, with added appeal for those who appreciate the southwestern setting of Albuquerque, New Mexico.

The mystery begins when nine-year-old Eden Moran learns that her beloved mentor, Sister Beatrice, is leaving the school that very day. When released for recess, the devastated Eden dashes across the playground to St. Patrick's Church with hope of finding the nun even though it was against the rules to leave the school yard. She knew it was a sin to disobey but she had to take the chance. Unseen by Father Munroe and Sister Beatrice, Eden witnesses an argument between them that turns physical. The sister falls and the priest is unable to wake her. The shocked Eden sneaks back out and races back to the school's playground. Here, panicked adults await her. When they ask her where she's been, the little girl tells them she couldn't recall.

Seventeen years later: Eden--who had acted so outrageously all those years ago that she was expelled from school and sent by her parents to live with her aunt--has returned to Albuquerque. Now 26, she is an attractive and successful public defender. Unfortunately, relations with her parents are still strained.

It isn't long before Eden meets Albuquerque Police Detective Kevin Dancer. Attorney and cop can't help but be attracted to each other, but the detective's job is to put the bad guys in jail, while the public defender seeks to help the accused remain free. To add further complications, like Eden's, Kevin's family relations are troubled. Thus, both are wary of close relationships.

The skeletal remains of one Celeste Lescano, aka Sister Beatrice, have been uncovered at a construction site inciting Detective Dancer to solve this cold case. When he investigates, witnesses recall Eden's close childhood relationship with the nun. However, when Kevin questions Eden, she denies having known Sister Beatrice.

Eden invites Kevin to attend her sister's wedding at St. Patrick's in hopes he'll meet people who actually knew the woman. Father Munroe, now a bishop, officiates and attends the reception. Noting the bishop's attraction to women, Detective Dancer pencils him in as a possible suspect.

Murders and close calls occur bringing more twists and turns to the story. It seems that Sister Beatrice's killer wants to make sure that Eden doesn't have the chance to recall what she witnessed that fateful day--by doing whatever it takes to keep her quiet forever. The suspect list lengthens, with St. Patrick Church as the focal point, making Kevin and Eden at odds with each other even as their irrepressible attraction heats up and Eden's life becomes increasingly in danger.

"Deadly Recall" is a page-turning thriller that comes to a breathless conclusion. I thoroughly enjoyed reading this emotion-packed action story by Donnell Ann Bell so much that her November release of "Betrayed" is on my personal reading list. In the meantime, I have ordered Bell's earlier thriller, "The Past Came Hunting". I look forward to reading more suspense mystery novels from this award winning author.

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Jumat, 27 Juni 2014

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The Painted Veil, by W. Somerset Maugham

  • Sales Rank: #7844817 in Books
  • Published on: 1967
  • Binding: Mass Market Paperback

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248 of 254 people found the following review helpful.
Lessons on life
By Roger Brunyate
I wanted to read this book before seeing the movie, and I must say that I enjoyed it immensely. Having read most of Maugham's short stories but none of his novels, I was taken aback by the sweep and passion of this book, its strong moral center, and above all its sensitivity to feeling. Other readers have called this a feminist work, and so in a halting way it is, in that Kitty Fane, its central character, is a woman and Maugham looks unusually deeply into her soul. But at the beginning of the book she is almost the polar opposite of feminist, having been brought up by her ambitious middle-class mother to be pretty and vapid and catch a good husband. It is only after she has passed through the climax of the story that she begins to see that there can be better goals in life for a woman.

My surprise at the depth of Maugham's portrayal of Kitty is in contrast to what I have always seen as the emotional reticence of his male characters, who are portrayed rather in terms of action than of feeling; I see this as a by-product of the author's homosexuality in an era when this had to be kept hidden. Kitty's husband, Walter Fane, a young government doctor and bacteriologist in Hong Kong, though presumably heterosexual, is almost a caricature of this repressed type. Although he obviously has feelings, he is almost incapable of giving voice to them, and neither he nor Kitty can effectively communicate with one another. It is hardly surprising that Kitty should fall into an affair with a married colonial official who is all easy charm. Even when Walter discovers their liaison (masterfully evoked in the opening pages of the book), he remains cold and inscrutable; his response is to volunteer for service in a cholera-ravaged city in the Chinese interior and to take Kitty with him.

As I say, I have not yet seen the movie, only the trailer.* But I was struck by how perfectly Edward Norton captures the cold correctness of Maugham's doctor; I am only surprised that this should have become a star role, since in the novel Maugham keeps Walter very much in the shadows. My other impression from the trailer, the expansive beauty of the Chinese landscape, is also strongly evoked in the book, though I suspect that the movie paints the horrors of the cholera epidemic on a larger canvas and makes more of the background of civil war, which is barely hinted at by Maugham. Instead, once the Fanes reach their destination, the novel takes on a more intimate quality, which slightly disappointed me by playing down the ever-present danger that surrounds them.

But the trade-off is that the emphasis can shift to Kitty's tentative spiritual journey. Maugham's title comes from the first line of an unfinished sonnet by Shelley, "Lift not the painted veil which those who live call Life," which implies a metaphysical intent. Here Maugham moves into territory that would later be claimed by Graham Greene; Kitty volunteers at an orphanage run by French nuns, and her first real lessons on life come from her exposure to these women so different from herself in faith and culture. By its mid-point, it seems that the novel is set to follow the familiar path of redemption through sacrifice.

And so it does, for a while. But Maugham, to his credit, does not go for the easy melodramatic conclusion. By a series of events that I cannot reveal here, the novel begins to retrace its steps and to wind down from its peak intensity. Kitty is forced not only to confront change, but to recognize in herself the ways in which she has NOT changed. Maugham risks anticlimax in taking this route, and perhaps does not avoid it entirely; but all the same it makes me respect him in a way that nothing else of his that I have read ever has.

[*I have now seen the movie on its first day of general release. It is handsome and well acted, but a very different experience from the book. The scenes in the Chinese interior have indeed been opened out as I surmised, and the character of Walter Fane much developed, moving into emotional territories only hinted at by Maugham. On the other hand, the earlier parts of the book are much compressed and the final sections omitted entirely. Perhaps the unusual shape of Maugham's novel would not have worked so well in movie terms, but it is still worth reading for that very reason.]

55 of 56 people found the following review helpful.
Good story. Great writing.
By Ellen Hanson
"The Painted Veil" is the beautifully told story of one self-absorbed woman and what it takes for her to discover joy in loving others. Every novel should have at least one character who changes and grows even half as much as this heroine. (Scene spoiler alert: My favorite scene is the last, when Kitty realizes she's always taken her father for granted, imagines how he must be feeling, and begins - finally - to treat him as a unique individual who has wants and needs separate from hers. When she can finally do this, their love is realized.)

I just saw the 2006 motion picture, and actually enjoyed it more than the book. The screenwriter enriched Somerset Maugham's classic in several ways: Kitty's husband Walter is given more depth such that his growth over the course of the story matches Kitty's. Also enriched is the backdrop. Not only is the Chinese town where much of the story takes place suffering a Cholera epidemic, but the Chinese Nationals are rising up against the British. This plot enhancement cranks up the tension of the story, and allows Walter's character to develop in a more complicated and ultimately satisfying way.

I highly recommend you read the book, then see the movie. You won't be disappointed!

132 of 153 people found the following review helpful.
Of marriage and freedom
By Boris Bangemann
The kernel of this novel dates back to 1895 when Maugham was twenty years old and stayed in Florence to learn Italian. He came across a story in which a "husband suspecting his wife of adultery and afraid on account of her family to put her to death, took her down to his castle in the Maremma the noxious vapours of which he was confident would do the trick; but she took so long to die that he grew impatient and had her thrown out of the window." It is around this core (which is not exactly the plot line of the novel, don't worry) that Maugham developed the story of Kitty Fane, a woman who is vain, superficial and in need of appreciation. It is a story that plays in Hong Kong and China in the 1920s. Maugham knew both places from his extensive travels in the South East but, characteristically for him, he does not spill much ink on descriptions of the landscape or the natives, which is a pity. He is much more interested in his fictitious characters.
As always, Maugham is a master of drawing characters who possess all the self-importance, weakness, and suffering that underlie human existence. His characterizations are so sardonically true that he was sued two times over the book by people in Hong Kong, and had to change the name of Hong Kong into Tching-Yen, and the name of one of the characters from Lane (innocent enough, one would think) to Fane.
I was wondering why this rather obscure novel by Maugham has received nothing but glowing five-star reviews by almost exclusively female readers. The reason is that this novel is about marriage and the restraints that marriage imposes upon passion. Also, it is a classic story of a woman's spiritual awakening. Two themes that appeal to female readers to such an extent that they tolerate Maugham's biting sarcasm and his rather unromantic view of life (he is quoted as saying that "habits in writing as in life are only useful if they are broken as soon as they cease to be advantageous"). If there is an author who is not touchy-feely, it is W. Somerset Maugham. Marriage, he soberly concludes, is a matter of convenience. Passion, on the other hand, is a matter of inconvenience: it lurks untamed behind "the painted veil which those who live call life". What is left? Faith? Maybe, I think Maugham would say, but most people are not humble enough to be truly religious ("no egoism is so insufferable as that of the Christian with regard to his soul" is another quote by the master).
"The Painted Veil" is well worth reading. However, it suffers a bit from Maugham's self-assured way of portraying people and constructing a plot. It is a well-told story, but it is not a first rate novel. I think the problem is that Maugham's characters in this book are too one-dimensional which works well in a comedy of manners, but not in a book that wants to discuss matters like love, passion, marriage, life and spiritual growth in a serious way.

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The Myth of Sisyphus and Other Essays (A Vintage Book-V-75), by Albert Camus (Author); Justin O'Brien (Translated by)

Philosophy, Humanities, Literary Studies

  • Sales Rank: #1313771 in Books
  • Published on: 1955
  • Number of items: 1
  • Binding: Mass Market Paperback

Most helpful customer reviews

0 of 0 people found the following review helpful.
Leaping Lords of Faith
By Joseph Annunzio
Suicide itself is a leap of faith just as much as any Kierkegaardian leap of faith as Albert Camus warns of in The Myth Of Sisyphus. But by continuing with life I make a leap of faith into the future of a very uncertain life. Making decisions under conditions of uncertainty is just what we do in many areas of life. For example, ethical judgments are made under conditions of uncertainty; that is what makes them so vexing. The consideration of suicide or life is no different. Further, if my choice for suicide is considered to have been made under conditions of impaired judgment than the same could be said for my choice not to commit suicide which is made under the same prevailing conditions of uncertainty as the suicide choice. In any case, to embrace the final position of Camus, that we can find meaning in the absurd struggle of life itself and thus avoid suicide as an option is just as much a leap of faith as Kierkegaard would have us make. To imagine Sisyphus happy as Camus suggests is a leap of the imagination, it is to take a leap of faith to find meaning in the ordinary struggle of life. That life is meaningless and that existence is absurd, that there is no grand plan or universal meaning is knowledge we live must with but that we cannot live by. Hence, the leap of faith whether it is of Camus or of Kierkegaard, whether into life, love or laughter it really does not matter, we must just leap. These are Plato’s noble lies. They are literally false but express emotional truths. We see through them but pretend not to, we respect them as we pretend that King really does have clothes.

3 of 3 people found the following review helpful.
IS SUICIDE THE ONLY "TRULY SERIOUS PHILOSOPHICAL PROBLEM"?
By Steven H Propp
Albert Camus (1913-1960) was a French author, journalist, and philosopher, who won the 1957 Nobel Prize for Literature for his novels such as The Stranger, The Plague, The Fall, etc. He also wrote nonfiction such as The Rebel: An Essay on Man in Revolt, Resistance, Rebellion, and Death: Essays, Lyrical and Critical Essays, etc.

He wrote in the Preface, "For me `The Myth of Sisyphus' marks the beginning of an idea which I was to pursue in The Rebel: An Essay on Man in Revolt. It attempts to resolve the problem of suicide, as The Rebel attempts to resolve that of murder, in both cases without the aid of eternal values which, temporarily perhaps, are absent or distorted in contemporary Europe. The fundamental subject of `The Myth of Sisyphus' is this: it is legitimate and necessary to wonder whether life has a meaning; therefore it is legitimate to meet the problem of suicide face to face. The answer, underlying and appearing through the paradoxes which cover it, is this: even if one does not believe in God, suicide is not legitimate."

He begins the title essay with the statement, "There is but one truly serious philosophical problem, and that is suicide. Judging whether life is or is not worth living amounts to answering the fundamental question of philosophy. All the rest---whether or not the world has three dimensions, whether the mind has nine or twelve categories---comes afterwards. These are games; one must first answer." (Pg. 3)

Later, he says, "I come at last to death and to the attitude we have toward it... one will never be sufficiently surprised that everyone lives as it no one `knew.' This is because in reality there is no experience of death... Here, it is barely possible to speak of the experience of others' deaths... All the pretty speeches about the soul will have their contrary convincingly proved, at least for a time. From this inert body on which a slap makes no mark the soul has disappeared. This elementary and definitive aspect of the adventure constitutes the absurd feeling. Under the fatal lighting of that destiny, its uselessness becomes evident. No code of ethics and no effort are justifiable a priori in the face of the cruel mathematics that commands our attention." (Pg. 12)

He laments, "With the exception of professional rationalists, today people despair of true knowledge. If the only significant history of human thought were to be written, it would have to be the history of its successive regrets and its impotences." (Pg. 14) He continues, "all the knowledge on earth will give me nothing to assure me that this world is mine. You describe it to me and you teach me to classify it... But you tell me of an invisible planetary system in which electrons gravitate around a nucleus. You explain this world to me with an image. I realized then that you have been reduced to poetry... You have already changed theories. So that science that was to teach me everything ends up in a hypothesis... that uncertainty is resolved in a work of art. What need had I of so many efforts?" (Pg. 15)

He asserts, "This world in itself is not reasonable, that is all that can be said. But what is absurd is the confrontation of this irrational and the wild longing for clarity whose call echoes in the human heart. The absurd depends as much on man as on the world. For a moment it is all that links them together. IT binds them one to the other as only hatred can weld two creatures together. This is all I can discern clearly in this measureless universe where my adventure takes place." (Pg. 16)

He observes, "I am told again that here the intelligence must sacrifice its pride and the reason bow down. But if I recognize the limits of the reason, I do not thereby negate it, recognizing its relative powers. I merely want to remain in this middle path where the intelligence can remain clear. If that is its pride, I see no sufficient reason for giving it up... Perhaps this notion will become clearer if I risk this shocking statement: the absurd is sin without God." (Pg. 30) He argues, "I am taking the liberty ... of calling the existential attitude philosophical suicide. But this does not imply a judgment. It is a convenient way of indicating the movement by which a thought negates itself and tends to transcend itself in its very negation. For the existentials negation is their God. To be precise, their god is maintained only through the negation of human reason." (Pg. 31)

He states, "At a certain point on his path the absurd man is tempted. History is not lacking in either religions of prophets, even without gods. He is asked to leap. All he can reply is that he doesn't fully understand... he doesn't want to do anything but what he fully understands. He is assured that this is the sin of pride, but he does not understand the notion of sin; that perhaps hell is in store, but he has not enough imagination to visualize that strange future; that he is losing immortal life, but that seems to him an idle consideration... He feels innocent. To tell the truth, that is all he feels---his irreparable innocence. This is what allows him everything... And it is with this that he is concerned: he wants to find out if it is possible to live WITHOUT APPEAL." (Pg. 39)

He points out, "It may be thought that suicide follows revolt---but wrongly... Suicide, like the leap, is acceptance at its extreme. Everything is over and man returns to his essential history... In its way, suicide settles the absurd. It engulfs the absurd in the same death. But I know that in order to keep alive, the absurd cannot be settled... The contrary of suicide, in fact, is the man condemned to death. That revolt gives life its value... it restores majesty to that life... It is essential to die unreconciled and not of one's own free will. Suicide is a repudiation. The absurd man can only drain everything to the bitter end, and deplete himself. The absurd is his extreme tension, which he maintains constantly by solitary effort, for he knows that in that consciousness and in that day-to-day revolt he gives proof of his only truth, which is defiance." (Pg. 40-41)

In his essay "The Absurd Man," he concludes: "This absurd, godless world is, then, peopled with men who think clearly and have ceased to hope. And I have not yet spoken of the most absurd character, who is the creator." (Pg. 68) In the "Absurd Creation" essay, he argues, "To become god is merely to be free on this earth, not to serve an immortal being. Above all, of course, it is drawing the inferences from that painful independence. If God exists, all depends on him and we can do nothing against his will. If he does not exist, everything depends on us... to kill God is to become god oneself; it si to realize on this earth the eternal life on which the Gospel speaks." (Pg. 79-80)

This is perhaps Camus' most provocative essay ("The Rebel" is perhaps the exception); it will be "must reading" for anyone studying his and his ideas.

0 of 0 people found the following review helpful.
As a way to understand both culture and personhood...
By Stephen Armstrong
Finally, I understand what I should have understood in college...

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# Get Free Ebook Burned: A House of Night Novel, by P. C. Cast, Kristin Cast

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Burned: A House of Night Novel, by P. C. Cast, Kristin Cast

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Burned: A House of Night Novel, by P. C. Cast, Kristin Cast

Things have turned black at the House of Night. Zoey Redbird’s soul has shattered. With everything she’s ever stood for falling apart, it’s seeming more and more doubtful that she’ll be able pull herself back together in time to rejoin her friends and set the world to rights. As the only living person who can reach her, Stark must find a way to get to her. But how? 

Enter BFF Stevie Rae.  She wants to help Z but she has massive problems of her own.  The rogue Red Fledglings are acting up, and her kinda boyfriend, Dallas, is sweet but too nosy for his own good.  The truth is, Stevie Rae’s hiding a secret that might be the key to getting Zoey home but also threatens to explode her whole world.

And in the middle of the whole mess is Aphrodite: ex-Fledgling, trust-fund baby, total hag from Hell (and proud of it). She’s always had visions that reveal the future, but now it seems Nyx has decided to speak through her with the goddess’s own voice, whether she wants it or not.  Aphrodite’s loyalty can swing a lot of different ways, but right now Zoey’s fate hangs in the balance.

Three girls… playing with fire… if they don’t watch out, everyone will get Burned.

  • Sales Rank: #3427464 in Books
  • Published on: 2011-09-27
  • Released on: 2011-09-27
  • Format: Bargain Price
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.88" h x .92" w x 5.44" l,
  • Binding: Paperback
  • 336 pages

Review

“Cast and Cast pull out all the stops and take this story to shattering new heights with devastating consequences!” ―Romantic Times (4 ½ stars) on Tempted

“P. C. And Kristin Cast havef made an absolutely amazing [YA] series. The visuals offered by this fantastic duo are entertaining and imaginative, with nonstop action… This is easily a [YA] series that can entertain adults with action, hot Vampyres, true friendship, budding romance, a loving Goddess, and a twist of the unexpected.” ―HowlingGoodBooks.com (5 stars) on Tempted

“I loved every one of the books in the [House of Night] series. Tempted is my definite favorite…. This book had me ripping through the pages.” ―Teen review on Flamingnet.com on Tempted

“Move over, Stephenie Meyer.” ―People on Hunted

“Zoey Redbird's first-person adventures take on added danger and importance in the latest House of Night release. Forced by circumstance to grow up quickly, Zoey's emotional and spiritual evolution is fascinating. The Cast duo breathes life and vibrancy into the characters and makes each one an integral part of the saga. Awesome and unforgettable as always!” ―Romantic Times (4.5 stars) on Hunted

“The Cast duo has done it again! These ladies appear to be an unstoppable force within the world of YA literature… Teenage readers will be drawn to Zoey's everyday, angst-riddled life. Not only does she need to save the world, Zoey needs to solve some major vampyre/human boy drama. These stories are surreal, yet shockingly accurate when it comes to teenagers and their lives.” ―TeensReadToo.com (5 stars) on Hunted

“The most masterful part of the writing lies in how the authors take on serious issues sex, peer pressure, bullying, parental alienation, religion, and substance abuse and weave them into the text. It is a refreshing perspective that doesn't feel like preaching.” ―Tulsa World on Hunted

“I absolutely loved this book…. I enjoyed the story line very much and thought that the authors had correctly portrayed the mind of a teenager…. I would recommend this book to vampyre fans and anyone who would enjoy a wondrous fantasy story.” ―Teen review on Flamingnet.com on Hunted

“An exceptional vampire tale… P.C. and Kristin Cast do a phenomenal job.” ―Darquereviews.com on Hunted

“Hunted is an appealing supernatural thriller… The exciting storyline is filled with teenage angst as Zoey struggles with choices that would cause PTSD in most adults…. This fine entry casts a strong spell on readers.” ―Thebestreviews.com on Hunted

“A richly nuanced standout… Even when she's confused, even when she's embroiled in teen-angst, Zoey's choices, delivered in fresh first person, seem believable. Even better? They seem smart…. This series has dark themes and subject matter, but the Cast team delivers them with sparkling dialogue, wry humor, and realistic characters driven by genuine humanity.” ―Fictionistas.blogspot.com on Hunted

“Untamed is a fast moving and adventure filled read, with engaging characters and just a touch of romantic chemistry to keep fans guessing. This is a well-written young adult series that should easily appeal to both teens and adults.” ―Darque Reviews

“Chosen, The House of Night series book 3, is like the cream in an Oreo cookie holding the two ends together. This story is gearing up for the final showdown between Zoey and Nepheret and mother and daughter team, P.C. and Kristen Cast are setting the stage perfectly for this….Again, P.C. Cast is an auto-buy author for me and this series is also on that auto-buy list.” ―Paranormal Romance Reviews

“Betrayed continues the House of Night series in a chilling fashion. PC and Kristin Cast once again prove their talent in telling a tale filled with all the normal teenage angst compounded with becoming a Vampyre….If you liked the first book in the series, you'll love this one!” ―Paranormal Romance Reviews

“This highly addicting series offers a unique twist on the standard vampyre story and is sure to please a wide variety of readers. Although she is a vampyre, Zoey Redbird’s journey is one for every teen. Her voice is genuine and … captures the sincerity and frankness of a teenager in search of a new home and a place where she truly belongs. The emotional portrayal of Zoey’s trouble and tribulations enhances the quality of these books. True to life, she struggles with issues of truest, loyalty, love, sexuality, and identity and moves though a myriad of conflicting emotions from happiness to confusion to grief. These books will have the reader laughing hysterically and sobbing unreservedly―sometimes all at once.” ―VOYA (on both Marked and Betrayed)

“Marked is one of the best coming of age stories to come out of Oklahoma since S. E. Hinton's The Outsiders. It teaches about the beauty of being a social outcast, friendship, and finding your own inner spirituality.” ―The Beltane Papers

“From the moment I stuck my face in this book it hooked me! Totally awesome new take on vampires! Marked is hot and dark and funny. It rocks!” ―Gena Showalter, author of MTV's Oh My Goth

About the Author
P.C. Cast is an award-winning fantasy and paranormal romance author, as well as an experienced speaker and teacher. With her daughter Kristin Cast, she is the author of the House of Night novels, including Awakened, Betrayed and Hunted. Cast was born in the Midwest, and as a girl fell in love with mythology. After high school, she joined the U.S. Air Force, then taught high school for 15 years before retiring to write full time. Cast’s novels are New York Times bestsellers and have been awarded the Oklahoma Book Award, YALSA Quick Pick for Reluctant Readers, Romantic Times Reviewers’ Choice Award, the Prism, Holt Medallion, Daphne du Maurier, Booksellers’ Best, and the Laurel Wreath. Ms. Cast lives in Oklahoma, where she is a member of the Oklahoma Writers' Hall of Fame.  She splits her time between her ranch and midtown Tulsa where she has a home just down the street from the House of Night... Kristin Cast has won awards for her poetry and journalism. She also lives in Oklahoma, where she attends college in Tulsa.

Excerpt. © Reprinted by permission. All rights reserved.
BURNED (Chapter 1)

Kalona

Kalona lifted his hands. He didn't hesitate. There was no doubt whatsoever in his mind about what he had to do. He would not allow anything or anyone to get in his way, and this human boy was standing between him and what he desired. He didn't particularly want to kill the boy; he didn't particularly want the boy alive, either. It was a simple necessity. He didn't feel remorse or regret. As had been the norm during the centuries since he'd fallen, Kalona felt very little. So, indifferently, the winged immortal twisted the boy's neck and put an end to his life.

"No!"

The anguish of that one word froze Kalona's heart. He dropped the boy's lifeless body and whirled around in time to see Zoey racing toward him. Their eyes met. In hers were despair and hatred. In his was an impossible denial. He tried to formulate the words that might make her understand--might make her forgive him. But there was nothing he could say to change what she had seen, and even if he could work the impossible, there was no time.

Zoey threw the full power of the element spirit at him.

It hit the immortal, striking him with force that was beyond physical. Spirit was his essence--his core--the element that had sustained him for centuries and with which he had always been most comfortable, as well as most powerful. Zoey's attack seared him. It lifted him with such force that he was hurled over the huge stone wall that separated the vampyres' island and the Gulf of Venice. The icy water engulfed him, smothering him. For an instant the pain within Kalona was so deadening that he didn't fight it. Perhaps he should let this terrible struggle for life and its trappings end. Perhaps, once again, he should allow himself to be vanquished by her. But less than a heartbeat after he had the thought, he felt it. Zoey's soul shattered and, as truly as his fall had carried him from one realm to another, her spirit departed this world.

The knowledge wounded him worse than had her blow against him.

Not Zoey! He'd never meant to cause her harm. Even through all of Neferet's machinations, through all of the Tsi Sgili's manipulations and plans, he'd held tight to the knowledge that, in spite of everything, he would use his vast immortal powers to keep Zoey safe because ultimately she was the closest he could come to Nyx in this realm--and this was the only realm left to him.

Fighting to recover from Zoey's attack, Kalona lifted his massive body from the clutching waves and realized the truth. Because of him, Zoey's spirit was gone, which meant she would die. With his first breath of air, he released a wrenching cry of despair, echoing her last word, "No!"

Had he really believed since his fall that he didn't truly have feelings? He'd been a fool and wrong, so very wrong. Emotions battered him as he flew raggedly just above the waterline, chipping away at his already wounded spirit, raging against him, weakening him, bleeding his soul. With blurred, blackened vision, he stared across the lagoon, squinting to see the lights that heralded land. He'd never make it there. It would have to be the palace. He had no choice. Using the last reserves of his strength, Kalona's wings beat against the frigid air, lifting him over the wall, where he crumpled to the frozen earth.

He didn't know how long he lay there in the cold darkness of the shattered night as emotions overwhelmed his shaken soul. Somewhere in the far reaches of his mind, he understood the familiarity of what had happened to him. He'd fallen again, only this time it was more in spirit than in body--though his body didn't seem his to command any longer either.

He felt her presence before she spoke. It had been like that between them from the first, whether he truly wished it or not--they simply sensed one another.

"You allowed Stark to bear witness to your killing of the boy!" Neferet's voice was more frigid than the winter sea.

Kalona turned his head so that he could see more than the toe of her stiletto shoe. He looked up at her, blinking to try to clear his vision.

"Accident." Finding his voice again he managed a rasping whisper. "Zoey should not have been there."

"Accidents are unacceptable, and I care not one bit that she was there. Actually, the result of what she saw is rather convenient."

"You know that her soul shattered?" Kalona hated the unnatural weakness in his voice and the strange lethargy in his body almost as much as he hated the effect Neferet's icy beauty had on him.

"I imagine most of the vampyres on the island know it. Typically for her, Zoey's spirit wasn't exactly quiet in its leave-taking. I wonder, though, how many of the vampyres also felt the blow the chit dealt you just before she departed." Neferet tapped her chin contemplatively with one long, sharp fingernail.

Kalona remained silent, struggling to center himself and draw together the ragged edges of his torn spirit, but the earth his body pressed against was too real, and he had not the strength to reach above and feed his soul from the wispy vestiges of the Otherworld that floated there.

"No, I don't imagine any of them felt it," Neferet continued, in her coldest, most calculating voice. "None of them are connected to Darkness, to you, as I am. Is that not so, my love?"

"We are uniquely connected," Kalona managed, though he suddenly wished the words were not true.

"Indeed . . ." she said, still distracted by her thoughts. Then Neferet's eyes widened as a new realization came to her. "I have long wondered how it was that A-ya managed to wound you, such a physically powerful immortal, badly enough that those ridiculous Cherokee hags could entrap you. I believe little Zoey has just provided the answer you've so carefully withheld from me. Your body can be damaged but only through your spirit. Isn't that fascinating?"

"I will heal." He put as much strength as possible in his voice. "Return me to Capri and the castle there. Take me to the rooft op, as close to the sky as I can be, and I will regain my strength."

"I imagine you would--were I so inclined to do that. But I have other plans for you, my love." Neferet lifted her arms, extending them over him. As she continued to speak she began weaving her long fingers through the air, creating intricate patterns, like a spider spinning her web. "I will not allow Zoey to interfere with us ever again."

"A shattered soul is a death sentence. Zoey is no longer any threat to us," he said. With knowing eyes, Kalona watched Neferet. She drew to her a sticky blackness he recognized all too well. He'd spent lifetimes battling that Darkness before he embraced its cold power. It pulsed and fluttered familiarly, restlessly under her fingers. She shouldn't be able to command Darkness so tangibly. The thought drifted like the echo of a death knell through his weary mind. A High Priestess shouldn't have such power.

But Neferet was no longer merely a High Priestess. She had grown beyond the boundaries of that role some time ago, and she had no trouble controlling the writhing blackness she conjured.

She is becoming immortal, Kalona realized, and with the realization, fear joined regret and despair and anger where they already simmered within the fallen Warrior of Nyx.

"One would think it would be a death sentence," Neferet spoke calmly as she drew more and more of the inky threads to her, "but Zoey has a terribly inconvenient habit of surviving. This time I am going to ensure she dies."

"Zoey's soul also has a habit of reincarnating," he said, purposefully baiting Neferet to try to throw off her focus.

"Then I will destroy her over and over again!" Neferet's concentration only increased with the anger his words evoked. The blackness she spun intensified, writhing with swollen power in the air around her.

"Neferet." He tried to reach her by using her name. "Do you truly understand what it is you are attempting to command?"

Her gaze met his, and, for the first time, Kalona saw the scarlet stain that nested in the darkness of her eyes. "Of course I do. It's what lesser beings call evil."

"I am not a lesser being, and I, too, have called it evil."

"Ah, not for centuries you haven't." Her laughter was vicious. "But it seems lately you've been living too much with shadows from your past instead of reveling in the lovely dark power of the present. I know who is to blame for that."

With a tremendous effort, Kalona pushed himself to a sitting position.

"No. I don't want you to move." Neferet flicked one finger at him, and a thread of darkness snaked around his neck, tightened, and jerked him down, pinning him to the ground again.

"What is it you want of me?" he rasped.

"I want you to follow Zoey's spirit to the Otherworld and be sure none of her friends"--she sneered the word--"manage to find a way to coax her to rejoin her body."

Shock jolted through the immortal. "I have been banished by Nyx from the Otherworld. I cannot follow Zoey there."

"Oh, but you are wrong, my love. You see, you always think too literally. Nyx ousted you--you fell--you cannot return. So you have believed for centuries that is that. Well, you literally cannot." She sighed dramatically as he stared at her blankly. "Your gorgeous body was banished, that's all. Did Nyx say anything about your immortal soul?"

"She need not say it. If a soul is separated from a body for too long, the body will die."

"But your body isn't mortal, which means it can be separated indefinitely from its soul without dying," she said.

Kalona struggled to keep the terror her words filled him with from his expression. "It is true that I cannot die, but that does not mean I will remain undamaged if my spirit leaves my body for too long." I could age . . . go mad . . . become a never dying shell of myself . . . The possibilities swirled through his mind.

Neferet shrugged. "The...

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61 of 66 people found the following review helpful.
Much to my surprise, I liked it.
By CLB77
Listen, if you're looking at reviews for the 7th book in the series, you've probably read some of the previous books already so you know this: these books are like Twinkies. They're really terrible, yet are a sometimes delicious guilty pleasure. I hate myself a little more after every one I buy, yet I can't seem to stop myself either. I admit I even preordered this one. So coming into Burned, I fully expected to hate it... and was more than a little shocked to find I didn't. I even kind of liked it.

Okay sure, it's got 100% all of the flaws the other books have had... stereotypes, irritating banter, character indecision, hokey slang and dialect, and (particularly as seen in Tempted) a bit of a dragging plot.

But you know what it didn't have? A lot of Zoey! And almost none of the Twins! Halle-freaking-lujah! Instead it was filled with the characters I actually like best- Aphrodite, Stark, Rephaim, and (one I like to an extent) Stevie Rae. What can I say; the `bad' characters are the most interesting and by far the least annoying. The interaction between Stevie Rae and Rephaim is certainly the most interesting plot twist the authors have introduced, and this book is heavy on its development, with a lot of perspective from both characters. Stark also plays a predominant role, and while I thought the authors were a little weak on writing from his perspective (I think they seem to have a better sense of his character from outside of him), I still enjoyed his larger part in this book. Some readers clearly don't care for the frequent switching of narrators, but (aside from the Rephaim/Stevie Rae relationship mentioned above), I think it's the best thing the authors have done. Frankly, we can all use a little break from Zoey, and in a series we readers have had to invest so much time in, it's nice to be able to know some of the other major characters outside of just how the main narrator sees them.

What I'm about to say shouldn't really be a SPOILER, but I'll make sure to warn you anyway. So, really unshocking SPOILER ALERT: Now that Zoey's back together (come on, you really didn't think her soul would stay shattered, did you?), I suspect she'll be the main narrator in the next book again, and will spend lots of time with the `nerd herd,' so I'll probably go back to hate/loving it as much as the others... but Burned to me was a surprising breath of fresh air in a series that is dragging.

159 of 188 people found the following review helpful.
I won't buy these books anymore
By Paige
Also appears on The Screaming Nitpicker.

A little background info before I begin: I loved the first four House of Night books, though I still had my issues with them. When the fifth book came out, I wasn't fond of it, but it was decent. Tempted, the sixth book, was just awful. In accordance with my two book rule (in which one bad book in a series is a fluke, but two means that I will stop reading the series), Burned was going to be the big decision-making book. After reading this awful novel, I can safely say I am done with the House of Night series for good. The Casts will not make another cent off me.

After Tempted's cliffhanger ending, Zoey's soul has shattered and she's trapped in the Otherworld with Heath. As her friends scramble to being her back before her body dies, Neferet sees a chance to permanently eliminate the threat Zoey poses. Back in Tulsa, Stevie Rae is dealing with her Imprint on Rephaim and her fledglings, both good and evil.

The only positive aspect of this book was the mythology. The one thing that made the House of Night series stand out to me in the beginning was the unique mythology unlike anything else that was being written at the time. I thought the Scottish elements and the thing with the black and white bulls were blended in well with the Wiccan and Native American mythology already present. If it weren't for that, I would have dropped this series at the first book, so at some point, the books were bound to get so bad that the mythos couldn't keep me reading. This happened during Burned.

What bothers me the worst about this series? The language. Good God, the language. This novel is categorized as young adult (with an ages 12-18 target audience). Zoey's "voice" as the narrator and the writing style that accompanies it has the maturity level of a thirteen-year-old. Meanwhile, the subject matter that has come up over the entire series is for about fifteen and up, if not sixteen. I find this gap a little puzzling.

I don't know who the Casts are copying this language from because teens that are the same age as these characters? They don't speak like that. The Cast women's attempts at writing authentic teen language are so off-the-mark that it's almost insulting. Of course, what would I know about how teens talk? I'm just a sixteen-year-old girl enrolled in a public high school! Don't get me started on Kramisha or I won't shut up.

I don't like it much when the point-of-view in a novel jumps around like a kangaroo on speed, but that's what happens here. I didn't like it in Tempted when they started changing points-of-view, but it gets so much worse here. Just as something began to happen with one group, it would switch to the other and follow them for a while. I know that they changed from Zoey's point-of-view (which I was thankful to see less of in this book) in order to cover Stevie Rae's plot lines and such, but I wish they hadn't done that in the middle of the series. The constant bouncing between groups with rare input from Zoey was not too fun for me.

I hated Zoey from the start, but I didn't let my hatred of her stop me from enjoying the world-building and great supporting characters. What I liked least was how she strung along three guys at once for most of the series, which was fixed with some character rape (excuse my vulgar phrasing) and death. I was happy about that. Then Zoey told Heath that she couldn't live without him and wanted to stay with him forever in this book. So her loved ones back in the living world were collectively worth less than this one boy? Ugh! I hate to see girls in books saying that they can't live without this guy or would die without him. Yes, you will live without him and no, you will not die without him. When will they get it? Men are not like food! They are not required for living! It almost seems like fictional girls can't survive on their own anymore.

In addition, the villains were hardly frightening to me because they were hardly there. I'm quite surprised the all-powerful Neferet hasn't found a way to kill Zoey yet without implicating herself and once the Casts decide whether Kalona is good or evil, shout it from the rooftops and write it on the skyline for me. He flips back and forth more than the points-of-view. I used to take issue with how convenient it was for Stark to be the one person in the entire world who could save Zoey due to his lineage, but I'm a little more okay with that now. That's still a huge case of extreme coincidence...

There are also time continuity errors I didn't pick up until much later. According to my research, Marked was published in May 2007, so let's assume that the book began in fall of that year. (It's only logical, right?) In Betrayed, Zoey has been at the House of Night for a month and Christmas happens in Chosen. At best, a month or two has passed during the last four books alone (Untamed likely took place over a few weeks, Hunted happened over an estimated three days, Tempted and Burned probably covered about a week each). No matter what, it is impossible for more than a year to have passed within the House of Night series, though three years have passed out here. But what's this? In Burned, they make references to Glee, which didn't start airing until May 2009! And inside the books, it's still 2008! I call plot hole! Call me out on it if I made a mistake in that math or if more time has passed than I'm aware of, but I'm absolutely sure it's impossible for enough time to have elapsed inside the books to be able to make Glee references and have them be timely pop culture. This is why authors should be cautious and careful when using pop culture in their novels.

I wanted to like this book. I really did. Maybe I could have passed off Tempted as a fluke, but it's obvious now that the authors have lost what got me interested in the first place. The Casts have lost me and countless others who can't take it anymore as fans. There are more fans every day to replace us, so it's not like they're truly suffering any losses.

52 of 61 people found the following review helpful.
The weave is faltering
By HH (NJ)
I was eagerly anticipating this book, but it is clear after reading it that the authors are merely dragging this story out for profit instead of the work itself. While the other six previous novels were paced well, this book drags. The idiotic and stereotypical language in this book is extremely annoying. The many different points of view border on the absurd. I can see introducing a couple of new povs, but everyone almost has a pov in this story and it leapfrogs between them.

You knew from early on in the book how Zoey's dilemma was going to be resolved so tension in the rest of the book suffers. I like the scenes between Rephaim and Stevie Rae, but overall just found the book lacking.

Hopefully the next book will be better.

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  • Published on: 2007-08-24
  • Binding: Paperback

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Data Interpretation for Medical Students Second Edition contains subject-based chapters, giving guidance on how to interpret relevant data accompanied by detailed notes on a multitude of conditions. A batch of cases to support learning and demonstrate how the data is applied in practice are provided at the end of each chapter. The Imaging chapter has been completely revamped and clinical cases are illustrated with high quality images. Winner of the 'Student Textbook' award at the BMA Book Awards 2012.

  • Sales Rank: #1445035 in eBooks
  • Released on: 2012-04-03
  • Format: Kindle eBook

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0 of 0 people found the following review helpful.
Very useful
By M. Shah
I found it useful and recommend it to students,interns,residents and physicians in subspecialties other than internal medicine and related fields. It is a bit bulky for carrying around and could have been a bit less expensive.

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Useful, easy to follow flow of information on this important topic.
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Good lab interpretation book
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Very interesting lab book. Helps you to understand the basic interpretation of lab values.

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At Home in France[ AT HOME IN FRANCE ] By Barry, Ann ( Author )Mar-11-1997 Paperback

  • Published on: 1997
  • Binding: Paperback

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